LISA RENEE: “Golden Ratio”

The Golden ratio was used to achieve balance and beauty in many Renaissance paintings and sculptures. Da Vinci himself used the Golden Ratio to define all of the proportions in his Last Supper, including the dimensions of the table and the proportions of the walls and backgrounds. The Golden ratio also appears in da Vinci’s Vitruvian Man and the Mona Lisa. The Vitruvian Man, is a drawing by Leonardo da Vinci circa 1490. The drawing, which is in pen and ink on paper, depicts a man in two superimposed positions with his arms and legs apart and inscribed in a circle and square. Da Vinci later called this sectio aurea or the Golden section.

 

In mathematics, two quantities are in the Golden Ratio if their ratio is the same as the ratio of their sum to the larger of the two quantities. The figure below illustrates the geometric relationship.

 

The Golden Ratio based spirals, Fibonacci spirals, and Golden Spirals often appear in living organisms. The Golden Ratio is found in geometry, appearing in basic constructions of an equilateral triangle, square and pentagon placed inside a circle, as well as in more complex three-dimensional solids such as Dodecahedrons, Icosahedrons and Buckyballs.

There is a special relationship between the Golden Ratio and Fibonacci Numbers (0, 1, 1, 2, 3, 5, 8, 13, 21, … etc, each number is the sum of the two numbers before it). When we take any two successive Fibonacci Numbers, one after the other, their ratio is very close to the Golden Ratio. This is called an approximation or limit value in calculus.

The Golden Ratio based spirals and Fibonacci spirals are used in the propagation of artificial intelligence machinery and are acquired through forming bonded attachments to the original Krystal Spiral. Their structure creates Metatronic Bodies, Reversed Merkaba ratios, and is based on Consumptive Modeling which has major implications for generating Fallen Consciousness. This leads to the disconnection from higher dimensional connections, creates Consciousness Traps and cuts off the being from exchange with the Eternal God Source flow.

Phi is also used as a symbol for the Golden Ratio and on other occasions in math and science. This use is separately encoded as the Unicode glyph ϕ. The Fibonacci sequence, provides yet another way to derive Phi mathematically. The Golden Ratio 1.618033988749894848204586834 … appears in mathematics, art, nature and architecture. The Golden Ratio also is called the golden mean or golden section.

Plato (427–347 BC), in his Timaeus, describes five possible regular solids (the Platonic Solids: the tetrahedron, cube, octahedron, dodecahedron, and icosahedron), some of which are related to the Golden Ratio. [1]

The term “Phi” was coined by American mathematician Mark Barr in the 1900s. Phi has continued to appear in mathematics and physics, including the 1970s Penrose Tiles, which allowed surfaces to be tiled in five-fold symmetry. In the 1980s, phi appeared in quasi crystals, a then-newly discovered form of matter.

Golden Ratio in Renaissance Art

[See feature photo, The Vitruvian Man]

The drawing is based on the correlations of ideal human proportions with geometry described by the ancient Roman architect Vitruvius in Book III of his treatise De Architectura.

In 1509, Luca Pacioli wrote a book that refers to the number as the “Divine Proportion,” which was illustrated by Leonardo da Vinci. Da Vinci later called this sectio aurea or the Golden section. The Golden ratio was used to achieve balance and beauty in many Renaissance paintings and sculptures. Da Vinci himself used the Golden Ratio to define all of the proportions in his Last Supper, including the dimensions of the table and the proportions of the walls and backgrounds. The Golden ratio also appears in da Vinci’s Vitruvian Man and the Mona Lisa. Other artists who employed the Golden ratio include Michelangelo, Raphael, Rembrandt, Seurat, and Salvador Dali. [2]

The Vitruvian Man, is a drawing by Leonardo da Vinci around 1490. It is accompanied by notes based on the work of the architect Vitruvius. The drawing, which is in pen and ink on paper, depicts a man in two superimposed positions with his arms and legs apart and inscribed in a circle and square. The drawing and text are sometimes called the Canon of Proportions or, less often, Proportions of Man. [3]

Golden Ratio in Nature

The Golden ratio also appears in all forms of nature and science. Some places include:

  • Flower petals: The number of petals on some flowers follows the Fibonacci sequence.
    Seed heads: The seeds of a flower are often produced at the center and migrate outward to fill the space. For example, sunflowers follow this pattern.
  • Pinecones: The spiral pattern of the seed pods spiral upward in opposite directions. The number of steps the spirals take tend to match Fibonacci numbers.
  • Sunflower seeds: Sunflower seeds grow in Fibonacci spirals.
  • Tree branches: The way tree branches form or split is an example of the Fibonacci sequence. Root systems and algae exhibit this formation pattern.
  • Shells: Many shells, including snail shells and nautilus shells, are perfect examples of the Golden Spiral.
  • Spiral galaxies: The Milky Way has a number of spiral arms, each of which has a logarithmic spiral of roughly 12 degrees. The shape of the spiral is identical to the Golden spiral, and the Golden rectangle can be drawn over any spiral galaxy.
  • Hurricanes: Much like shells, hurricanes often display the Golden Spiral.
  • Fingers: The length of our fingers, each section from the tip of the base to the wrist is larger than the preceding one by roughly the ratio of Phi.
  • Animal bodies: The measurement of the human navel to the floor and the top of the head to the navel is the Golden Ratio. But we are not the only examples of the Golden ratio in the animal kingdom; dolphins, starfish, sand dollars, sea urchins, ants and honeybees also exhibit the proportion.
  • DNA molecules: A DNA molecule measures 34 angstroms by 21 angstroms at each full cycle of the double helix spiral. In the Fibonacci series, 34 and 21 are successive numbers.

Fibonacci Spiral

The Fibonacci spiral gets closer and closer to a Golden Spiral as it increases in size because of the ratio of each number in the Fibonacci series to the one before it converges on Phi, 1.618, as the series progresses. Beginning with Zero, then 1, it then moves on to the next number, as such : 0+1=1, 1+1=2, 2+1=3, 3+2=5, 5+3=8 and so forth. When we apply this mathematical formula to quantify or measure the movement of energy or Consciousness within time or space, the Fibonacci Spiral loses its connection going back to the Zero Point or Source, instead the sequence uses the previous number to add into itself to get to the next higher number of the sequence. It has no center connection, so it attaches to another or consumes what is in its path to expand. Fibonacci Spirals illustrates the math used to perpetuate the war over energy, therefore the Consciousness suppression on the earth. When the sequence grows in number or size, it is due to the consumption of the previous values in order to grow itself larger. The larger it gets, the more it consumes, progressively moving out and away from the organic Krystal Spiral of the original core manifestation body or divine template body, as it expands. Therefore the Fibonacci Spiral is a mathematical model of Metatronic Reversal recorded in the consciousness fields that ultimately attach like a parasite to a living host, collecting waste products, such as accumulating toxic Miasma fields, which form into the Qlippoth or Adverse Sephiroth, in the Phantom Matrix to infect the Universal Tree of Life.

Golden Spiral

In geometry, a Golden Spiral is a logarithmic spiral whose growth factor is φ, the Golden Ratio. That is, a golden spiral gets wider (or further from its origin) by a factor of φ 1.618 for every quarter turn it makes. Since the ratio between consecutive Fibonacci numbers approaches the Golden Ratio as the Fibonacci numbers approach infinity, so too does this Golden Spiral get more similar to the previous approximation the more squares are added. [4]

Krystal Spiral

The differences between the Krystal Spiral and Fibonacci Spiral and the Golden Ratio Fibonacci spiral and sequence can be understood in terms of their respective relationships to their creation point. The Krystal Spiral and the mathematical sequence from which it emerges comes directly from the Zero Point or central point of all union. The Krystal Spiral perpetually retains a living, breathing connection through the preservation of what came before, as it expands through Multiplication.

 

HGS Reference: Correct Calculus, Mathematical Code, “Golden Ratio” Page 80

References:

  1. Golden Ratio
  2. Live Science
  3. Vitruvian Man
  4. Golden Spiral

See Also:

Krystal Spiral

Sacred Geometry

 

~via Ascension Glossary

LISA RENEE: “Star of David”

“On the earth, the NAA have done everything possible to associate creation symbols, symbols that are pure consciousness energy, and distort and debase that energy into reversals, in order to destroy creation and destroy life. Hence, the Star of David is used in Black Magic by people that have been taught to defile its true meaning in occult rituals by the Imposter Spirit and NAA. This is to prevent the true meaning of its use to inspire unity in human beings. Since Sacred Union is the source of all life on this planet, the six-pointed star uniting the archetypal male and female triangles has long been acknowledged as the model for balance and wholeness. The message of the Star of David in the heavens is undoubtedly ‘peace on earth.’ But it is more than that. It is a reminder that we are not alone — that we are part of a whole and that the Living Force of the Cosmos is with us. Equality, mutuality, community and wisdom are all summed up in this beautiful mandala whose ultimate archetypal meaning is harmony in diversity. It’s rising now to bless and enlighten us is truly a gift for all peoples!”

~Lisa Renee

 

A Six Pointed Star. This geometry means Unity, unity of polarity coming into oneness with God. In the earlier stages of building the divine krystic 12D Shield, the Merkaba Star or Star of David is the symbol code called upon to support the path of energetic synthesis, to bring unity within the lightbody. The Star of David means unity between male and female, the geometry directs balance between the masculine and feminine energies that exist within every human being, whether male or female form. All humans are intrinsically made up of gender principle energies, masculine and feminine, of which are designed to come into Sacred Union in order to communicate with the highest self, the inner Christos-Sophia light.

The Archetypal Mandala of the Star of David

By Margaret Starbird. “The mandala of the hexagram, also known as the Star of David is much older than Judaism, older even than history! As an archetypal symbol for the sacred union of the opposite energies, it is the yin-yang of western civilization. Formed by the intertwining of the “fire” and “water” triangles (the male “blade” and the female “chalice”) this symbol represents the masculine and feminine principles in perfect union, the sacred marriage or Hieros Gamos of the ancient world. In India the symbol represents the cosmic dance of Shiva and Shakti, and the Jewish Kabbala suggests that the Ark of the Covenant contains, in addition to the tables of the Ten Commandments, a regular hexagram representing a man and woman in intimate embrace.

Since Sacred Union is the source of all life on this planet, the six-pointed star uniting the archetypal male and female triangles has long been acknowledged as the model for balance and wholeness. Medieval Alchemists called the Star the philosopher’s stone, adding a tiny dot on the upper right hand point to represent the presence of God and guidance of the Divine Spirit.

The message of the Star of David in the heavens is undoubtedly “peace on earth.” But it is more than that. It is a reminder that we are not alone — that we are part of a whole and that the Living Force of the Cosmos is with us. Equality, mutuality, community and wisdom are all summed up in this beautiful mandala whose ultimate archetypal meaning is harmony in diversity. It’s rising now to bless and enlighten us is truly a gift for all peoples! [1]

Black Magic Hijack of Creation Symbols

For every lightworker, it is critical to discern the quality of force that is behind the use of symbols, codes or geometries, as the intent infused into the symbol is energized with the quality of force that the person is applying into that symbol, as well as for what purpose they use that symbol or code. On the earth, the NAA have done everything possible to associate creation symbols, symbols that are pure consciousness energy, and distort and debase that energy into reversals, in order to destroy creation and destroy life. The Imposter Spirit has purposely usurped many holy symbols and sacred geometry for the main purpose of creating confusion and fear in the average mind, and to associate negative qualities with creation symbols and holy presence. The main purpose of the Satanist or Luciferian is to destroy the original intent of creation codes, such as Sacred Geometry in so that the human being will be so filled with fear and confusion around sacred symbolism, they will develop spiritual terror and run away from them as to not “offend god”. This is the ruse of the Satanic forces, who want to steal creation and life force away from humanity, and thus steal the inherent knowledge of humanities own consciousness bodies away from them. Hence, the Star of David is used in Black Magic by people that have been taught to defile its true meaning in occult rituals by the Imposter Spirit and NAA.This is to prevent the true meaning of its use to inspire unity in human beings.

Discernment of Directing Energy

In regard to the use of Creation Symbols or those sacred geometries that are hijacked for negative purposes, such as STS and for Black Magic, this is something that each one of us has to find personal Discernment in what we connect with and what we feel connected to. Generally, what is a potent way to gain deeper clarity, is to first stabilize the body and to learn how to be consistent with your 12D Shielding and to use it as a boundary test with what is known as the GSF triad, which is God Sovereign Free. When you encrypt your 12D Shield with God Sovereign Free, what you are basically saying, is “I’m only allowing that which interacts with me to be in full resonance with God Sovereign Free”. When you are able to develop some proficiency with that, doing a 12D shield encrypted with your God Sovereign Free triad and then you use this as a boundary test for sacred geometries or anything else to get better discernment about the quality of energy. Anything that you come across, you want to feel what level of resonance you have with it, and to feel and discern the body’s resonance to this coding or symbolism because of the reversals, some of which has been discussed many times in regard to the Metatronic Reversal field.

Now, a part of the change of the Krystal Host on planet is really helping the planet to restore and bring balance back to these energy fields in a way that was not previously possible. It’s like saying, when you have the majority of the planet human consciousness, human bodies, still working on their Soul level embodiment, the Metatronic layers of the monadic body are not available until the person accesses higher dimensions, the seventh, eighth, and ninth level. Monadic activation starts at the seventh dimension. This means for a lot of people they’re not embodied at the layer where they would be exposed to Metatronic level yet. In a sense, they have to go through some spiritual development steps before that reversal frequency is brought to their conscious awareness.

Using the 12D shield with the Merkaba Star or Star of Azoth, and understanding that the 12D Shield is an intention you are setting to connect to your Avatar Christ 144 sub harmonic flame. Each of these frequencies, these levels of 144 harmonics, you are intending when you run the shield, you are asking your higher self, I want to connect to my Avatar Christ self. When you set that intention by doing the 12D shield consistently and regularly, this helps the Lightbody and physical body to recognize frequencies and connections to objects that feel more nourishing, resonant, and supportive.

The issue is that the point of rehabilitation is always possible at each of the stages of our spiritual development and it will be determined from that stage of awareness without value difference. It’s important to understand that it just is what it is. Be informed. Do the best that you can in the moment, with what you have, with what your are equipped with is really all that is required.

 

References:

  1. Page 122, HGS Manual
  2. Restoring the Goddess, Margaret Starbird

 

~via Ascension Glossary